Bars 17-32 (Chorus)įlume’s signature style comes out strong in the chorus.įirst, we hear the downbeat, which features a kick with a trap-esque chant sound. In this case, it’s the addition of elements (strings), the way the vocal is sung and processed, and the quick low-pass filter coming down during the last bar. Note: Notice how there aren’t any risers or snare rolls? You can build tension without them. When Kai sings “Never Be Like You” it’s kind of stressed, which adds tension. The same phrase leads nicely into the chorus at the end of this intro verse.ĭuring the second 8 bars of this section, we hear some strings playing the same chord progression. The bell-like sounds we hear in the pickup continue, but are now sitting on top of a vocal and detuned pad. “In music, an anacrusis (also known as a pickup) is a note or sequence of notes which precedes the first downbeat in a bar in a musical phrase.” Bars 1-16 (Intro/Verse) It’s makes sense to give this its own section of “Pickup” instead of including it in the full structure. But the main elements are there.Īt the start of the song, we hear a collection of atmospheric bell-like sounds that play by for four bars. This is not complete, as I couldn’t have realistically included every little detail. You can check out the Google Sheet here (make a copy of it yourself if you want to edit it) or click the image below to enlarge it. It’s a little bit shorter than normal, but this track is pretty straightforward. In this week’s analysis, we’ll be looking at one of his more recent tracks, Never Be Like You ft. I played it at every gig and everyone else loved it too. I remember the first time hearing Holding On’. He’s young, he’s a genius, and he’s a pioneer.
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